Baskerville many locations, 2M, plus chorus to split 40 roles.
Production Staff
Scenery by Cori Burkett
Lighting by Kelly Parker
Props by Randy Dockendorf
Sound by Joe Taylor
Stage Manager: Savannah Moore
Auditions the first Thurs August 27th 6:30 MTA and/or Friday for callbacks.
Lighting by Kelly Parker
Props by Randy Dockendorf
Sound by Joe Taylor
Stage Manager: Savannah Moore
Auditions the first Thurs August 27th 6:30 MTA and/or Friday for callbacks.
Cast List
Sherlock Holmes – Cormac Spiares
Dr. Watson – Holden Rounds
Charles/Hugo/Henry Baskerville – Samuel C. Arias
Actor 1 – Colton Haliburton
Actor 2 – LeAngel Rodriquez
Actress 1 – Meridian Stewart
Actress 2 – Finn Long
Living Set Actors – Ayden Cole, Alex Delgado, Caleb Lewis, Hayden Scott
Royal Opera House Opera Singers:
Tosca Scene Roma 1800
Floria Tosca- Kelly (opera singer)
Baron Scarpia- Edgar (chief of police)
Falstaff Scene Windsor 1400
Falstaff- Colton Claridy in costume as the ghost of Herne the Hunter
Robin, Falstaff's page-- Ashira Fronk
Ford- Mark Hall disguised as Supernatural creature
Mistress Ford- Kelly Palmer
Nannetta Ford- Hannah White (in love with Fenton) diguised as Fairy Queen
Mistress Quickly- Sami Ely (Dr. Caius' housekeeper) disguised as witch
Fenton- Nathan Johnson (in love with Nanetta) disguised as a Monk
Bardolfo- Oliver (Falstaff's minion) disguised as Nannetta
Pistola- Alex (Falstaff's minion) disguised as Supernatural creature
Dr. Caius- Caleb (suitor of Nannetta) disguised as supernatural creature
Dr. Watson – Holden Rounds
Charles/Hugo/Henry Baskerville – Samuel C. Arias
Actor 1 – Colton Haliburton
Actor 2 – LeAngel Rodriquez
Actress 1 – Meridian Stewart
Actress 2 – Finn Long
Living Set Actors – Ayden Cole, Alex Delgado, Caleb Lewis, Hayden Scott
Royal Opera House Opera Singers:
Tosca Scene Roma 1800
Floria Tosca- Kelly (opera singer)
Baron Scarpia- Edgar (chief of police)
Falstaff Scene Windsor 1400
Falstaff- Colton Claridy in costume as the ghost of Herne the Hunter
Robin, Falstaff's page-- Ashira Fronk
Ford- Mark Hall disguised as Supernatural creature
Mistress Ford- Kelly Palmer
Nannetta Ford- Hannah White (in love with Fenton) diguised as Fairy Queen
Mistress Quickly- Sami Ely (Dr. Caius' housekeeper) disguised as witch
Fenton- Nathan Johnson (in love with Nanetta) disguised as a Monk
Bardolfo- Oliver (Falstaff's minion) disguised as Nannetta
Pistola- Alex (Falstaff's minion) disguised as Supernatural creature
Dr. Caius- Caleb (suitor of Nannetta) disguised as supernatural creature
Production Meeting Notes
Tues Aug. 25: Cori presented her set ideas. The set will consist of a back wall painted like the moors, with three curtained portals in front for interior scenes and the opera house. There will be rolling units that serve dual purposes like 3D moor rocks on one side and something interior on the other. We need a fireplace unit and Cori suggested putting the bed on the back side of that, that is like a Murphy bed and can be stored in the up position while it's being a fireplace to conserve room backstage. Everything will roll on casters including desks and chairs. We'll probably use one of the Tiamat heads from She Kills Monsters for the Hound, but will probably need to replace the light source for the eyes.
Joe has split up the 48 roles among 5 actors instead of 3, so that helps a lot with costume changes. He has also added 4 grips to the show to move furniture and props around in costume. We discussed dressing them as maids and butlers.
Holmes and Watson go to the Royal Opera in Covent Garden early on in Act 1 and again at the end of Act 2. They see the Act II finale of Tosca, then the Act II finale of Falstaff. Joe is hoping to get the opera students to perform the two songs on stage during the show. We have to see Baron Scarpia get stabbed to death after beating Tosca.
We had an Inverness cape but it disappeared long ago that matched a Deerstalker hat which I also need to look for. They were both black and white plaid. Amazon does not have the correct period shape or length for the actor playing Sherlock 6'4", and even if I find the hat it probably won't fit him. But Amazon does have many varieties of deerstalker hats that I can order. We have leftover wool/flannel fabrics that are plaid/tartan that we didn't use for Iphigenia that I kept out for Macbeth. Two of those pieces are quite long and would have more than enough yardage for an Inverness cape. One piece is green/brown and the other is more blue/brown. I just need a pattern and Melissa can make it up in either fabric to match his suit.
I bought three lightweight wool plaid/tweed wool suits for Guys and Dolls that I can use in this show, plus the tweed suit with vest and knickers that I bought for Col. Mustard in Clue. We will start pulling things for the men on Wed when I have Melissa and Austen to help.
We discussed doing a photoshoot for the Baskerville family portraits with Sam dressed up in costumes from different eras. Another idea was just to photoshop his face into famous paintings like the Mona Lisa, Girl with the Pearl Earring, etc... as a joke. Colten has to be dressed as Hugo Baskerville with a wig, hat, beard, cloak etc... for the big reveal at the end holding an empty frame.
Auditons are Thursday and I'm promised we'll get a cast list on Friday, no call backs.
Joe has split up the 48 roles among 5 actors instead of 3, so that helps a lot with costume changes. He has also added 4 grips to the show to move furniture and props around in costume. We discussed dressing them as maids and butlers.
Holmes and Watson go to the Royal Opera in Covent Garden early on in Act 1 and again at the end of Act 2. They see the Act II finale of Tosca, then the Act II finale of Falstaff. Joe is hoping to get the opera students to perform the two songs on stage during the show. We have to see Baron Scarpia get stabbed to death after beating Tosca.
We had an Inverness cape but it disappeared long ago that matched a Deerstalker hat which I also need to look for. They were both black and white plaid. Amazon does not have the correct period shape or length for the actor playing Sherlock 6'4", and even if I find the hat it probably won't fit him. But Amazon does have many varieties of deerstalker hats that I can order. We have leftover wool/flannel fabrics that are plaid/tartan that we didn't use for Iphigenia that I kept out for Macbeth. Two of those pieces are quite long and would have more than enough yardage for an Inverness cape. One piece is green/brown and the other is more blue/brown. I just need a pattern and Melissa can make it up in either fabric to match his suit.
I bought three lightweight wool plaid/tweed wool suits for Guys and Dolls that I can use in this show, plus the tweed suit with vest and knickers that I bought for Col. Mustard in Clue. We will start pulling things for the men on Wed when I have Melissa and Austen to help.
We discussed doing a photoshoot for the Baskerville family portraits with Sam dressed up in costumes from different eras. Another idea was just to photoshop his face into famous paintings like the Mona Lisa, Girl with the Pearl Earring, etc... as a joke. Colten has to be dressed as Hugo Baskerville with a wig, hat, beard, cloak etc... for the big reveal at the end holding an empty frame.
Auditons are Thursday and I'm promised we'll get a cast list on Friday, no call backs.
Costume Research
Tosca Act 2 Finale
Falstaff Act 2 Finale
Production Meeting Notes
Tues Sept 1: I presented my costume ideas (the ppt above). There are already four maids in the show as well as two nurses and a butler. I proposed we dress our all male set grips as Bobbys for DCI Lestrade to order around.
Edgar confirmed that Tosca will be sung by Kelly Palmer and himself. Edgar will have to get stabbed to death on stage by Kelly. Falstaff will be sung by all of the opera students that are in the class this fall, except Cormac and Sam, because they are watching the opera as Holmes and Baskerville. Edgar said he would add Sami Ely to the Falstaff song because he doesn't have enough sopranos in the class this fall. In Baskerville, the singer playing Falstaff also gets stabbed to death at the end of the show, so we talked about using the same gimmick from Musical Comedy Murders of 1940 where Randy had to get stabbed in the back through a book. We used velcro to attach the "book" with the knife already embedded to the back of his sweater. We will only see Falstaff from the front for the finale, so he can come in wearing the knife rig on his costume. The audience won't see it until he falls face first on the floor. There's a dozen actors in the opera class, so my costume list just got doubled. Fortunately we did Merry Wives about 5 years ago and I already have the Falstaff antlers and cape which will fit anyone.
We chose to do both portrait gags. The photoshopped ones will hang on either side of the stage. We will use other actors to be the other versions of Baskerville ancesestors standing next to Colten as Hugo Baskerville and all four will have empty frames so Colten's gag doesn't look stupid.
Edgar confirmed that Tosca will be sung by Kelly Palmer and himself. Edgar will have to get stabbed to death on stage by Kelly. Falstaff will be sung by all of the opera students that are in the class this fall, except Cormac and Sam, because they are watching the opera as Holmes and Baskerville. Edgar said he would add Sami Ely to the Falstaff song because he doesn't have enough sopranos in the class this fall. In Baskerville, the singer playing Falstaff also gets stabbed to death at the end of the show, so we talked about using the same gimmick from Musical Comedy Murders of 1940 where Randy had to get stabbed in the back through a book. We used velcro to attach the "book" with the knife already embedded to the back of his sweater. We will only see Falstaff from the front for the finale, so he can come in wearing the knife rig on his costume. The audience won't see it until he falls face first on the floor. There's a dozen actors in the opera class, so my costume list just got doubled. Fortunately we did Merry Wives about 5 years ago and I already have the Falstaff antlers and cape which will fit anyone.
We chose to do both portrait gags. The photoshopped ones will hang on either side of the stage. We will use other actors to be the other versions of Baskerville ancesestors standing next to Colten as Hugo Baskerville and all four will have empty frames so Colten's gag doesn't look stupid.
Baskerville Costumes
Build Notes
Fri Aug 28: lab students set up racks for Baskerville and Silent Sky. We pulled measurements for returning actors and then measured two new actors.
Mon Aug. 31: I pulled the 3 tweed suits from Guys and Dolls and Col. Mustard from Clue and all the bowler hats we had.
Tues Sept. 1: I pulled the Bobby costumes and all the appropriate men's formal wear we had.
Wed Sept 2: Melissa came in and we pulled more costumes for the men concentrating on Actor 2 Leangel's characters. We found the Deerstalker hat. We did not have a pattern for an Inverness cape, so we found one on Etsy that we can immediately download and then print. I tried to buy it and my pcard didn't work. We spent a lot of time putting rentals away from Silent House's All My Sons and Abbott's OAP show, as well as the rest of the Iphigenia costumes from last year. We found the Bobby hats and brought them out. Colten came in for measurements so we were able to go through everything we had pulled to see what will fit him. We also assigned Bobby costumes to our set grips and assigned 3 different Butler uniforms to Barrymore so that Joe will have options. We found several options for Baskerville and pulled a cavalier hat for Hugo Baskerville. We got all the men undershirts, dress shirts, and shoes.
Thurs Sept 3: Rand stayed after class and helped me pull costumes for the opera men. I emailed Edgar to ask who was playing Mistress Page and Ford, and Ann Page. There only 4 girls in opera so I'm assuming the 4th girl will be Mistress Quickly. Edgar sent me a cast list for Falstaff.
Fri Sept 4: During lab hours we measured four more actors, and pulled costumes for the women of Baskerville and of Falstaff.
Tues Sept 8: Bought the pattern for Sherlock's inverness cape. It was a dowloadable pdf that I printed out and had to tape together. I also bought supplies for the shop like HEPA filters, seam rippers, and T-shirts for the boys.
Mon Aug. 31: I pulled the 3 tweed suits from Guys and Dolls and Col. Mustard from Clue and all the bowler hats we had.
Tues Sept. 1: I pulled the Bobby costumes and all the appropriate men's formal wear we had.
Wed Sept 2: Melissa came in and we pulled more costumes for the men concentrating on Actor 2 Leangel's characters. We found the Deerstalker hat. We did not have a pattern for an Inverness cape, so we found one on Etsy that we can immediately download and then print. I tried to buy it and my pcard didn't work. We spent a lot of time putting rentals away from Silent House's All My Sons and Abbott's OAP show, as well as the rest of the Iphigenia costumes from last year. We found the Bobby hats and brought them out. Colten came in for measurements so we were able to go through everything we had pulled to see what will fit him. We also assigned Bobby costumes to our set grips and assigned 3 different Butler uniforms to Barrymore so that Joe will have options. We found several options for Baskerville and pulled a cavalier hat for Hugo Baskerville. We got all the men undershirts, dress shirts, and shoes.
Thurs Sept 3: Rand stayed after class and helped me pull costumes for the opera men. I emailed Edgar to ask who was playing Mistress Page and Ford, and Ann Page. There only 4 girls in opera so I'm assuming the 4th girl will be Mistress Quickly. Edgar sent me a cast list for Falstaff.
Fri Sept 4: During lab hours we measured four more actors, and pulled costumes for the women of Baskerville and of Falstaff.
Tues Sept 8: Bought the pattern for Sherlock's inverness cape. It was a dowloadable pdf that I printed out and had to tape together. I also bought supplies for the shop like HEPA filters, seam rippers, and T-shirts for the boys.
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Wed. Sept 9: Melissa came in and cut out the individual pattern pieces from the giant paper block and then cut the pieces out of the fashion fabric and serged them. I had to order lining fabric, horsehair interfacing, and buttons. We decided to make two Inverness capes, since 3/4 of our shows are set in this same time period and we had another great wool fabric. The other Inverness cape will be a green/brown plaid with green lining and gold/jade buttons. Cormac came in for a fitting and the brown suit he wore for Guys and Dolls is too big now because he's lost a lot of weight in 2 years, but the blue suit that Jason wore is too small for him. So I ordered a new blue one that is herringbone instead of plaid and a matching 2XL Deerstalker hat in navy. We also pulled corsets, tube tops, and boots for the girls. I made a list of things we need to pull for Actress 1 and 2 characters.
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Thurs Sept 10: Today I had to pin the pieces of the cape fabric together in order to figure out how they go together because it is not evident from the shapes of the pattern pieces and there are no notches to indicate how other than the ones you need to tape the 63 pages together in the first place. The instructions are more of a history lesson in Victorian tailoring techniques and nothing about how the pieces actually go together. So it took me a minute, but I figured it out and then notched the pattern and wrote myself instructions for later so I wouldn't forget.
Fri Sept 11: I did Finn's fittings today for their 6 costumes. I am using one of the costumes from Blithe Spirit, but the skirt isn't the right shape for this period, so we're building a bustle to go on top,
Sat Sept 12: We had a work call from 10-4 with lunch from 1-2. I did fittings on Colten, Holden, Sam, Caleb, Kelly, Mark, Hayden Scott, and Leangel. Kole and Payge hemmed Holden's jacket sleeves and Colten's pants and jacket sleeves.
Tues Sept 15: Cormac's suit arrived and we did his fitting right after class. We just need to hem the pants about 6". The T-shirts arrived as well as the lining for the Inverness capes. So Wed., we'll be ready to start construction on them. production meeting we discussed what else needs to happen. Barrymore is the man in the taxi driven by the female cabbie, pretending to be Sherlock. Plus Barrymore's hump needs to be designed and built. Friday and Saturday Oct 3, 10 of cue to cue 12 rehearsal, with costume changes. Baskerville ancestor portraits: Colten in disguise, Leangel, Finn, Meridian. Finn is going to be the Hound using one of the dragon head from She Kills Monsters. Cream and brown mastiff teddy bear costume from Puffs. Ask about Finn, Alex in Falstaff.
Wed Sept 16: Melissa, Austan and I spent all day trying to piece together the Inverness cape, trying to make sense out of the badly written instructions. The word of the day was seam ripper and we ended up ripping out quite a few seams because we'd sewn pieces together too early in the process. I also did four fittings: Sami, Meridian, Alex, and Ayden. I wanted to use the Mrs. Crachitt costume I made for Sami for Falstaff, but the skirt isn't wide enough at the hem to go over a hoop skirt, so we're cutting it in half up the back, taking out the placket and waistaband, and regathering it with a fake underskirt panel at center front. We have to replace some of the buttons on Meridian's costume with velcro, like we did with the hotel clerk and the train driver coats to make the quick change go faster.
Thurs. Sept 17: I worked more on the Inverness cape after class. I had to do more seam ripping to put the front shoulder seams onto the back shoulder seams without the cape pieces in the way. After sewing the lining SB seams together, I ripped off the cape pieces from the actual back to sew the SF seams together. The whole thing will be finished off at the neck with the collar piece. It was very confusing and I"m not sure we're going to remember the correct order of construction by the time we get to the next one for Watson.
Fri Sept 18: After class I did a fitting on Hannah for her Falstaff costume. Payge and Nathan started building a white skirt for Finn's nurse character. THe crew ripped more buttons off of shirts and replaced them with velcro to make the quick changes go faster. Kole hemmed Sherlock's pants. The crew pulled more shoes, belts, hats, and bustles for the show.
Tues Sept 22: We decided we didn't need a production meeting today. I Finished alterations to Sami's skirt so that it will fit hover a hoop. It still needs a hem and closures. I have enough fabric left over to make her a bodice. Ordered fake beards and a new larger helmet for Caleb's Bobby character. The buttons for the hotel clerk came in yesterday as well as the bowler hat for Watson. Finn spent an hour sewing the buttons on.
Wed. Sept 23 Melissa came in and finished up the first Inverness cape, then we started putting together the second one. She did the pockets and I did the collar. I cut out the extra layers for the interfacing and the lining. Melissa put the pockets in but unfortunately at the wrong height, so we will have to redo those. I had to repattern the bodice for Sami because I couldn't find the Tinker patterns for the bodice, just the shirts and blouses. I flat lined it with red broadcloth and sewed all the seams together.
Thurs Sept 24 I had the students seam rip out the pockets and the facing and lining from the right side that I'd already put in when I discovered that the pockets were at the wrong height. Ash, Oliver, and Edgar came in for their fittings today.
Fri Sept 25 We did a second fitting on Sami to pin a hem into her skirt and to make sure the bodice fits before we put in the hook and eye tape. We had to alter the armseye to make it bigger and redo the shoulder seams. I recut the bodice and reserged. Then Kole did a slip stitch to keep the CB flaps down before we put in the hook and eye tape. Meridian hemmed the skirt and then put on the snaps. Payge got the waistband on the white nurse skirt for Finn. Now we just need to do another fitting to pin in a hem. Payge sewed on the snaps to the placket. I cut off the pants at the knee for Milker, and Nathan is seam ripping out the smaller seam.
Mon Sept 28 I came in for 4 hours to prep for the quick change rehearsals we are doing later this week. I pulled more things from storage, and Rand, Lizy, and Payge came in to help with alterations, mostly closures and replacing buttons with velcro. I spent a lot of time writing down the ensembles quick changes for the dressers and making sure that each garment was described by color and pattern.
Tues Sept 29 Rand, Lizy, and Austan came in and helped replace buttons with velcro. We had a production meeting and decided that we would move the quick change rehearsal to just Thursday so they could do another two full run throughs before we start adding quick changes into the show. I still need to replace some of the men's shoes with different sizes.
Wed Sept 30 Melissa came in and put together the second Inverness cape. We chose to make it easier on ourselves, by not lining the capelet or the back since this flannel was thicker than the first. Austan, Finn, Lizy, and Rand came in to sew on buttons, after I got all the velcro on. Austan made more dog ears that are twice as wide and a few inches longer for the dragon head. I worked on the two bustles.
Thurs Oct 1 We spent hours finish sewing on velcro, buttons, snaps, and hooks and bars to get ready for our quick change rehearsal that night. It didn't go so well. I over designed the show and there were too many costumes and not enough time for the actors to change.
Fri Oct 2 Today I spent the afternoon culling the costumes that we didn't actually need to see, especialliy the men's pants. They need to keep the same pair of pants on with their shoes the entire show.
Sat Oct 3 We had a 10-2:30 work call setting lights for Act 2. While that was happening, I continued culling costumes for the women.
Mon Oct 5 Today was one of those 8 hour days of continual sewing; hems, snaps, more velcro, etc.... I took Leangel's tux shirt, vest, and ascot and sewed them all together as one garment, split up the back and velcro to close.
Tues Oct 6 Today I made an emergency bellhop hat to match the purple jacket I put on Colten. It took 2 hours.
Wed Oct 7 We still had a few repairs to do today, hooks and eyes, hems, etc. We had an invited audience for third dress.
Thurs Oct 8 The only repairs I had to do today was sewing a button back on one of the Bobby jackets.
Fittings
Production Photos
WAco Trib ARticle
Sleuth Sherlock Holmes (Cormac Spiares, center) and his associate Dr. Watson (Holden Rounds, right) investigate the odd goings-on at the Baskerville estate in McLennan Theatre’s “ Baskerville: A Sherlock Holmes Mystery” opening on Thursday.
Joseph Taylor, provided
--Carl Hoover
McLennan Theatre tackles iconic English sleuth Sherlock Holmes and his assistant Dr. Watson in its latest production, with comedy what’s elementary about the result. The tell-tale clue is the author's name tagged to the play “Baskerville: A Sherlock Holmes Mystery” — Ken Ludwig.
Ludwig is known for fast-paced spoofs of opera (“Lend Me a Tenor”) and theater (“Moon Over Buffalo”) that have become mainstays for both community and collegiate theater. Baskerville” takes the Arthur Conan Doyle story “The Hound of the Baskervilles” as a starting point for a mystery that triggers as many laughs as puzzled contemplation.
The detective (Cormac Spiares) and his sidekick Watson (Holden Rounds) try to unravel the mystery of a dog that's shadowing the moors and apparently targeting members of the Baskerville family before the dog gets to the final Baskerville heir.
Enter Ludwig.
The remaining three dozen or so characters are played by five actors in his script, which requires continual changes of mannerisms, accents and costumes. “It’s absolute mayhem, getting people in and out of costume and all this other stuff,” said MCC theater professor and director Joseph Taylor. “It’s definitely tongue-in-cheek.” There’s method to the madness, though. The rapid switching of characters forces student actors to learn how to suggest a character through movement, posture, vocal tone and accent, as the rapid changes mean costumes can’t be too elaborate and communicative, he said.
Taylor expanded his cast to seven actors with another four added for scene expansion. Where Ludwig’s script calls for operatic quotations — Holmes often went to the opera to do his thinking — singers from McLennan Opera Theatre will perform selections from Puccini’s “Tosca” and Verdi’s “Falstaff.”
Will Holmes solve the puzzle before the, well, opera company sings? Stay focused and don’t blink. “(The play) has this mystery feel, but all this crazy comedy stuff, too,” Taylor said. “Baskerville: A Sherlock Holmes Mystery” opens its four-performance run Thursday at McLennan Community College’s Music & Theatre Arts building.
"Baskerville: A Sherlock Holmes Mystery"By McLennan Theatre
Performances: 7:30 p.m. Thursday through Saturday, 2 p.m. Sunday at McLennan Community College’s Music & Theatre Arts building theater.
Tickets: $10, online at mccboxoffice.ludus.com.
McLennan Theatre tackles iconic English sleuth Sherlock Holmes and his assistant Dr. Watson in its latest production, with comedy what’s elementary about the result. The tell-tale clue is the author's name tagged to the play “Baskerville: A Sherlock Holmes Mystery” — Ken Ludwig.
Ludwig is known for fast-paced spoofs of opera (“Lend Me a Tenor”) and theater (“Moon Over Buffalo”) that have become mainstays for both community and collegiate theater. Baskerville” takes the Arthur Conan Doyle story “The Hound of the Baskervilles” as a starting point for a mystery that triggers as many laughs as puzzled contemplation.
The detective (Cormac Spiares) and his sidekick Watson (Holden Rounds) try to unravel the mystery of a dog that's shadowing the moors and apparently targeting members of the Baskerville family before the dog gets to the final Baskerville heir.
Enter Ludwig.
The remaining three dozen or so characters are played by five actors in his script, which requires continual changes of mannerisms, accents and costumes. “It’s absolute mayhem, getting people in and out of costume and all this other stuff,” said MCC theater professor and director Joseph Taylor. “It’s definitely tongue-in-cheek.” There’s method to the madness, though. The rapid switching of characters forces student actors to learn how to suggest a character through movement, posture, vocal tone and accent, as the rapid changes mean costumes can’t be too elaborate and communicative, he said.
Taylor expanded his cast to seven actors with another four added for scene expansion. Where Ludwig’s script calls for operatic quotations — Holmes often went to the opera to do his thinking — singers from McLennan Opera Theatre will perform selections from Puccini’s “Tosca” and Verdi’s “Falstaff.”
Will Holmes solve the puzzle before the, well, opera company sings? Stay focused and don’t blink. “(The play) has this mystery feel, but all this crazy comedy stuff, too,” Taylor said. “Baskerville: A Sherlock Holmes Mystery” opens its four-performance run Thursday at McLennan Community College’s Music & Theatre Arts building.
"Baskerville: A Sherlock Holmes Mystery"By McLennan Theatre
Performances: 7:30 p.m. Thursday through Saturday, 2 p.m. Sunday at McLennan Community College’s Music & Theatre Arts building theater.
Tickets: $10, online at mccboxoffice.ludus.com.